Starting at the high end, UHD footage can be recorded in ProRes 444 XQ at a rate of 312.5 MB/s all the way down to 1080p in a ProRes 422 Proxy file coming in at a relatively paltry 5.6 MB/s data rate. The URSA Mini also records UHD 4K (3840 x 2160) and 1080p video using ready-to-edit ProRes files in many different flavors within the 444 and 422 chroma subsampling variations, depending on your workflow. However, data-heavy uncompressed raw files aren't always easy to deal with on set, so in addition to uncompressed raw recording, the 4.6K URSA Mini provides compressed raw recording at 3:1 and 4:1 compression ratios to save space while retaining post-production flexibility. The raw files preserve the full dynamic range and color tonality output from the sensor, so you can have greater control over the look in post-production. To produce cinematic images, the URSA Mini can record raw sensor data in the CinemaDNG format onto CFast 2.0 memory cards at up to 60 fps. A rosette on the side of the camera accepts the included side handle, which can control Start/Stop via a LANC connection. The EF-Mount is compatible with a plethora of popular lenses, opening different aesthetic options. The ergonomic body design is balanced and can be used for many different styles of filmmaking. Now in a smaller, more handheld-friendly form factor, the URSA Mini 4.6K Digital Cinema Camera from Blackmagic Design can record cinematic images with its Super-35mm 4.6K, sensor with 15 stops of dynamic range.
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